Saira Stencil
One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin.
He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections.
The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked.
Whats happened to me? he thought. It wasn not a dream. His room, a proper human room although a little too small, lay peacefully between its four familiar walls.
A collection of textile samples lay spread out on the table - Samsa was a travelling salesman - and above it there hung a picture that he had recently cut out of an illustrated magazine and housed in a nice, gilded frame.
It showed a lady fitted out with a fur hat and fur boa who sat upright, raising a heavy fur muff that covered the whole of her lower arm towards the viewer. Gregor then turned to look out the window at the dull weather.
About Font
Saira Stencil is the cut variant of the Saira typeface family. It retains the core structure of its predecessor but is defined by the strategic addition of precise cuts—some logically placed, others deliberately offbeat. This intervention creates a typeface that is both sharp and visually striking, making it an optimal choice for titles, branding, and logotypes where a bold, memorable impression is required. It was designed by Héctor Gatti and developed by the Omnibus-Type Team.
Saira is a contemporary sans serif system, a versatile family of 126 styles (9 different weight variants, in 7 widths, plus matching italics.) It is part of the Press Series, for it is applicable in newspapers, magazines, books and websites. Showing high adaptability, it can be used in headlines and long texts. The original masters were designed by Héctor Gatti. The character sets were later completed by the Omnibus-Type Team.